Shake Hands with the Devil review
(A review of the film Shake Hands with the devil wihch I wrote for Business Rwanda)
Shake hands with the devil premiered at Hotel Des Milles Collines on Monday 24th March as one of the prime attractions of the Rwanda Film Festival. Having assumed there would be some kind of stampede, I turned up one hour early and was very surprised to see only a decent-sized crowd showing up at the Hotel for the film. The vast majority of the crowd were expatriates- a fact which does not augur well for the Festival’s aims of bringing cinema to the masses.
Shake hands with the devil is based on Romeo Dallaire’s book of the same name. It chronicles Dallaire’s struggles with the United Nations during the genocide as the Head of the United Nations Assistance Mission in Rwanda and how his employers betrayed him and the country when the killings began. It presents a vivid picture of a country descending into anarchy and how the powers-that-be stood by and not only allowed it to happen, but virtually facilitated it by leaving the United Nations mission in the country as nothing more than spectators and doing everything in their power to ensure that Dallaire could do nothing to stem the killings.
The film starts many years after the genocide with Dallaire in his psychiatrist’s office as he looks back on the tragic events he was caught up in. The Psychiatrist is trying to get him to open up and he looks shattered and empty as he struggles to put his anguish into words. It’s an interesting and unorthodox way of framing the story although it may divide audiences who may find it disorienting.
Dallaire arrives in Rwanda full of hope and optimism and the film does a good job of handling the growing sense of doom as things turn dark and he begins to realize that it is all about to go horribly wrong. When Juvenal Habyarimana’s plane crashes, the stage is set for carnage. Dallaire struggles to convince the UN to bring in more troops but as the killings escalate, the United Nations-in a truly breathtaking display of incompetence- instead strips away his powers and ability to act and he is forced to watch helplessly on the sidelines as the catastrophe unfolds. In one chilling scene, Dallaire babbles on the phone to the UN Secretary-General about the need for more soldiers only to be told bluntly that his mission is over. The film reveals the tragic paradox of the United Nations Mission to Rwanda- once there was no peace to keep, the mission was considered as terminated and yet obviously it should have been the other way round. What was the point of having those troops on the ground if they were supposed to withdraw as soon as violence broke out?
The film has a constant sense of terror and the dimly-lit and tiny rooms in which Dallaire spends a lot of his time at nights give the audience a good sense of the claustrophobia and helplessness he and his soldiers felt. The culpability of the United Nations, the United States and France is also well-explored and in one good scene, Dallaire scolds a French soldier about the moral bankruptcy of his Country’s policy to Rwanda. The film also contains some brutal scenes of violence- some scenes are so shocking that the audience at Milles Collines audibly gasped several times. One in particular- a young woman slipping and falling in a pool of blood- seemed to affect the audience more than any other.
The film has its flaws. The editing occasionally feels a bit rushed and scenes are sometimes cut-off with the characters virtually in mid-sentence. The psychiatrist angle is also not explored well enough- it is a very interesting concept, but the film does not use it as often as it should and it could have served as a very interesting story device if properly explored. The last line in the film-‘Keep me alive- that’s an order!’- is a poor one and it feels very out-of-place. Overall however the film is a triumph and it also benefits from the absence of big-name Hollywood actors who might have overshadowed the proceedings. Roy Dupuis (I am reliably informed by a friend that he is the ‘Quebecois Tom Cruise’) stars as General Dallaire and he has clearly learnt from the Ed Norton school of restrained acting (he also bears an uncanny resemblance to Dallaire). Many other actors would have been tempted to over-act the role and do an ‘Al Pacino’ but Dupuis underplays the role and achieves good results. His face only hints at the emotions raging in him and this makes him a lot more believable. One of the film’s most memorable scenes has Dallaire sitting in a field drinking a large bottle of wine and trying to drown his sorrows in drink while imagining himself surrounded by some of the people he failed to save. He looks utterly broken and defeated and it is the most poignant scene of the film. Shake hands with the devil is a tale of tragedy, cowardice and heroism but shows that sometimes heroism is not enough.
Shake hands with the devil premiered at Hotel Des Milles Collines on Monday 24th March as one of the prime attractions of the Rwanda Film Festival. Having assumed there would be some kind of stampede, I turned up one hour early and was very surprised to see only a decent-sized crowd showing up at the Hotel for the film. The vast majority of the crowd were expatriates- a fact which does not augur well for the Festival’s aims of bringing cinema to the masses.
Shake hands with the devil is based on Romeo Dallaire’s book of the same name. It chronicles Dallaire’s struggles with the United Nations during the genocide as the Head of the United Nations Assistance Mission in Rwanda and how his employers betrayed him and the country when the killings began. It presents a vivid picture of a country descending into anarchy and how the powers-that-be stood by and not only allowed it to happen, but virtually facilitated it by leaving the United Nations mission in the country as nothing more than spectators and doing everything in their power to ensure that Dallaire could do nothing to stem the killings.
The film starts many years after the genocide with Dallaire in his psychiatrist’s office as he looks back on the tragic events he was caught up in. The Psychiatrist is trying to get him to open up and he looks shattered and empty as he struggles to put his anguish into words. It’s an interesting and unorthodox way of framing the story although it may divide audiences who may find it disorienting.
Dallaire arrives in Rwanda full of hope and optimism and the film does a good job of handling the growing sense of doom as things turn dark and he begins to realize that it is all about to go horribly wrong. When Juvenal Habyarimana’s plane crashes, the stage is set for carnage. Dallaire struggles to convince the UN to bring in more troops but as the killings escalate, the United Nations-in a truly breathtaking display of incompetence- instead strips away his powers and ability to act and he is forced to watch helplessly on the sidelines as the catastrophe unfolds. In one chilling scene, Dallaire babbles on the phone to the UN Secretary-General about the need for more soldiers only to be told bluntly that his mission is over. The film reveals the tragic paradox of the United Nations Mission to Rwanda- once there was no peace to keep, the mission was considered as terminated and yet obviously it should have been the other way round. What was the point of having those troops on the ground if they were supposed to withdraw as soon as violence broke out?
The film has a constant sense of terror and the dimly-lit and tiny rooms in which Dallaire spends a lot of his time at nights give the audience a good sense of the claustrophobia and helplessness he and his soldiers felt. The culpability of the United Nations, the United States and France is also well-explored and in one good scene, Dallaire scolds a French soldier about the moral bankruptcy of his Country’s policy to Rwanda. The film also contains some brutal scenes of violence- some scenes are so shocking that the audience at Milles Collines audibly gasped several times. One in particular- a young woman slipping and falling in a pool of blood- seemed to affect the audience more than any other.
The film has its flaws. The editing occasionally feels a bit rushed and scenes are sometimes cut-off with the characters virtually in mid-sentence. The psychiatrist angle is also not explored well enough- it is a very interesting concept, but the film does not use it as often as it should and it could have served as a very interesting story device if properly explored. The last line in the film-‘Keep me alive- that’s an order!’- is a poor one and it feels very out-of-place. Overall however the film is a triumph and it also benefits from the absence of big-name Hollywood actors who might have overshadowed the proceedings. Roy Dupuis (I am reliably informed by a friend that he is the ‘Quebecois Tom Cruise’) stars as General Dallaire and he has clearly learnt from the Ed Norton school of restrained acting (he also bears an uncanny resemblance to Dallaire). Many other actors would have been tempted to over-act the role and do an ‘Al Pacino’ but Dupuis underplays the role and achieves good results. His face only hints at the emotions raging in him and this makes him a lot more believable. One of the film’s most memorable scenes has Dallaire sitting in a field drinking a large bottle of wine and trying to drown his sorrows in drink while imagining himself surrounded by some of the people he failed to save. He looks utterly broken and defeated and it is the most poignant scene of the film. Shake hands with the devil is a tale of tragedy, cowardice and heroism but shows that sometimes heroism is not enough.
